Award winning filmmaker Kunle Afolayan has stirred conversation across the Nigerian film space after declaring that his movies are primarily created for “intellectuals” and audiences who appreciate deep storytelling. The celebrated director made the statement while speaking about his creative philosophy and the kind of viewers he believes connect most with his work.

According to Afolayan, his approach to filmmaking has always been rooted in storytelling that challenges the mind rather than simply chasing trends. “We make movies for the intellectuals,” he said, adding that feedback from scholars, professors, and critical thinkers continues to shape the direction of his projects. The filmmaker emphasized that he intends to keep appealing to audiences who value layered narratives and cultural depth.

Known for titles such as October 1, Citation, Anikulapo, and Ijogbon, Afolayan has built a reputation for visually rich productions that blend history, culture, and social commentary. His comments have sparked fresh debate online, with some fans praising his commitment to thoughtful cinema while others questioned whether such statements could alienate mainstream viewers.

Kunle Afolayan’s filmmaking style has often stood apart from the fast paced commercial formula common in Nollywood. Over the years, he has pushed for higher production standards, cinematic storytelling, and narratives that explore African heritage and identity. Industry observers say his latest remarks reflect his long standing mission to elevate Nigerian cinema on the global stage.

Supporters argue that his films encourage conversations about culture, morality, and society, making them appealing to viewers who enjoy deeper themes. Critics, however, believe Nollywood thrives on diversity and that films should cater to a wide range of audiences, from casual viewers to academic enthusiasts.

Despite differing opinions, Afolayan’s impact on Nollywood remains undeniable. His projects have gained international recognition, featured at global festivals, and attracted audiences beyond Nigeria. By consistently promoting cultural storytelling, he has positioned himself as one of the filmmakers pushing Nollywood toward a more cinematic and globally competitive direction.

The director’s recent statement comes at a time when the Nigerian film industry is evolving rapidly, with streaming platforms, cinema releases, and digital audiences influencing creative choices. While some filmmakers focus on mass appeal and viral trends, Afolayan’s comments highlight a contrasting perspective that prioritizes storytelling depth and intellectual engagement.

As discussions continue across social media, many fans are revisiting his filmography, debating whether his movies truly cater to intellectual audiences or simply represent a different style within Nollywood’s growing ecosystem. Regardless of the opinions, his words have once again placed him at the center of conversations about creativity, audience expectations, and the future of Nigerian cinema.