Nigerian music star Adekunle Gold has etched his name into history after becoming the first artiste to sell out the Wole Soyinka Centre for Culture and the Creative Arts in Lagos. The landmark achievement has further cemented his reputation as one of Nigeria’s most consistent and culturally significant performers.

The historic concert, which took place on December 26, 2025, saw Adekunle Gold perform to a packed audience at the iconic venue, formerly known as the National Theatre. Following the sold-out show, the singer was presented with a commemorative plaque in recognition of his trailblazing feat.

The Wole Soyinka Centre, recently renovated and reopened as a hub for arts, theatre, and live performances, represents a new era for Nigeria’s creative industry. Adekunle Gold’s ability to sell out the venue as the first headlining music act is widely seen as a symbolic moment; proof that Nigerian music continues to command massive local support while embracing cultural heritage.

Known for his soulful blend of Afrobeats, highlife, and live instrumentation, Adekunle Gold delivered a performance that combined music, storytelling, and stagecraft, making the night memorable for fans and industry stakeholders alike.

Recognition with a Plaque

In acknowledgment of the achievement, Adekunle Gold received a plaque honouring his status as the first artiste to sell out the Wole Soyinka Centre. A separate plaque was also awarded to his team for their role in organizing and executing the successful event. The recognition highlights not just ticket sales, but the cultural impact of the performance.

Over the years, Adekunle Gold has built a career defined by growth, originality, and authenticity. From his early days with alternative highlife sounds to becoming a mainstream Afrobeats powerhouse, his journey reflects persistence and evolution. Selling out a venue as prestigious as the Wole Soyinka Centre marks another high point in his career.

Beyond personal success, this milestone sends a strong message about the future of live music in Nigeria. It shows that renovated cultural spaces can thrive, that Nigerian audiences will support quality performances, and that local artistes can set new standards without relying solely on international stages.

Adekunle Gold’s sold-out concert and plaque recognition at the Wole Soyinka Centre is a celebration of Nigerian artistry, culture, and progress.

As the creative industry continues to evolve, moments like this serve as powerful reminders of how far Nigerian music has come, and how much further it can go.